Felix Jarvis
Biography
Felix’s love of acting began from performing in high school. He has trained at the Helen O’Grady Drama Academy, React Drama School and Cooper Screen Academy, in Hobart. His experience at Helen O’Grady and React Drama School is where Felix developed his confidence and passion for the stage.
He undertook workshops with Bell Shakespeare Theatre Company, after his audition for the John Bell Scholarship. He was shortlisted for the scholarship in 2016.
In 2017 Felix had a major featured role in Jennifer Kent’s period action-thriller, The Nightingale. Felix worked as a stand-in for world famous actor Sam Claflin. He also had a minor role in the film playing Major Bexley’s Ensign.
Between 2018-2020, Felix participated in multiple acting workshops with nationally renowned actors and teachers, including Kevin Jackson and Darren Gilshenan.
In 2023 Felix participated in the meeting of European theatrical academies where he learnt from theatre practitioners from around the world, he then performed at the end of the conference week in the student devised piece Art of Courage, a political drama about the Ukrainian war. He was recently seen in Joan Must Die, I never liked her anyways directed by Wesley Enoch and written by Dan Evans.
Now graduated from the Queensland University of Technology, Felix wants to continue to tell a range of engaging and challenging stories on stage and on screen as an actor within Australia and overseas.
Ad Astra Plays
Upcoming Plays
Past Plays
Other Plays
2022 - PUNK ROCK (Theatre), QUT, Actor - Bennett Francis
2021 – That Face (Theatre), QUT, Actor – Henry
2020 – The Look (Commercial), The20 Pty Ltd, Actor – Hero/Lead
2019 – The Nightingale (Film), Causeway Films, Actor – Bexley’s Ensign
2019 – Storm Rollin In (Music Video), The Wolfe Bros, Actor – Hero/Lead
2018 – Uprising (Theatre), Tasmanian Theatre Company, Actor – Christian
2018 – Karen (Short Film), Wide Angle Tasmania, Actor - Caleb
Training
2023 - Bachelor of Fine Arts Acting, Queensland University of Technology, Andrea Moore
2018 – Master Class, Darren Gilshenan
Representation
Reviews
Felix Jarvis similarly shows amazing range in his ability to play at one moment a sleazy lawyer, meant purely for laughs, and in the next a character essential to Hemming’s emotional and personal arc.
Michael Di Guglielmo - Stage Door Podcast | Read Review Here
The most dramatic tension in the play was where Roland, as an adult star academic, attempts to entice a reluctant student Daniel (Felix Jarvis) on an outing where it was implied that sex was on the agenda.
David Spicer - Stage Whispers | Read Review Here
“The supporting cast matches his energy, bouncing between realistic portrayals of adult professionals to theatrically enthusiastic children. Let me cherry pick some favourites. Felix Jarvis as Daniel, an actor in training, gives a wonderful portrait of that youthful mix of confidence and insecurity.”
Paul Gilchrist - Theatre Red | Read Review Here
“Michelle Carey’s production is first class and engages the audience from the get go.”
David Kary | Sydney Arts Guide | Read Review Here
“Led by Director Michelle Carey there’s a lot going on in this intense production. Toy Symphony explores bullying, substance abuse, death and grief. At times this play is uncomfortable to watch but it’s also a compelling look at creativity and human response.”
Natasha Ciesielski | Sydney Scoop | Read Review Here
“Lively direction by Michelle Carey keeps us invested in the storytelling”
Suzy Wrong - Suzy Go See | Read Review Here
“It is fitting that the first production in the space is from one of the giants of Australian playwriting. Michael Gow’s “Toy Symphony” reminds us that we should embrace creativity and difference with compassion and patience. And that there can be a little bit of magic in everyone!”
Kate Gaul - Theatre Travels | Read Review Here
As things continue, we also bear witness to each stage of the relationship between Ned and his partner, New York Times journalist Felix Turner (Felix Jarvis). Their centrepiece romance plays out in all of its unfiltered vulnerability, raw anger, complex beauty and undeniable love (as much due to intimacy coach Michelle Miall, as it is Gregory J Wilken and Jarvis’ performances).
And Jarvis’s portrayal of Ned’s great love Felix is particularly poignant without wallow.
Meredith Walker - Blue Curtains Brisbane | Read full review
Gregory J Wilken’s passionate, furious energy as Ned was balanced by the restraint and level-headedness of Sam Hocking’s Bruce, and the relaxed charisma of Felix Jarvis’ Felix. The chemistry and comfortable physicality between Wilken and Jarvis held this secondary storyline together through a wide range of emotions and events, with intimacy coaching by Michelle Miall, and in portraying the joys of their evolving relationship.
Elise Lawrence - Backstreet Brisbane | Read full review
Felix Jarvis plays Ned's lover, Felix (played by Gregory J Wilken), delivering a chemistry with his co-star that is utterly authentic, convincing, and powerful. Together they tell a love story that resonates with a generation.
Michael James - Frooty Magazine | Read full review
As Ned’s love interest and New York Times lifestyle reporter, Felix Jarvis wins hearts from word one. It’s hard to believe that Felix (Gregory J Wilken) is still studying his craft, as his confidence on stage and ability to move from romantic comedy to high drama are already finely honed judging from this performance.
Beth Keehn - Stage Whispers | Read full review
The Ad Astra production shows great team work and sensitivity, the cast show moments of brilliance as they spell out the challenges and journey that were faced with as a community.
Lilian Harrington - Absolute Theatre | Read full review
The strongest component of the show was the stellar cast. Taking on the role of leading man, Ned Weeks, was Gregory J Wilken. Wilken’s performance brought a fast paced, stubborn but energetic passion to his character that emphasised his high sense of morality. Playing opposite him as Ned’s love interest, Felix Turner, was Felix Jarvis. Jarvis conveyed such true emotions for Wilken’s character whilst maintaining a grounded but playful, layered performance. His descent into illness was covered with grace and strong physicality. Additionally, Michelle Miall must be applauded for her intimacy coaching as Jarvis and Wilken’s characters truly felt comfortable in each other’s embrace. A memorable moment involves Queen’s ‘Don’t Stop Me Now’ underscoring Wilken and Jarvis whilst moves are made at a first date.
Annabel Gilbert - TheatreHaus | Read full review
Awards
2018 – Best Ensemble – Tasmanian Theatre Awards