Matthew Hobbs

Matthew Hobbs

Actor

Matthew has been performing and directing in amateur theatre for over 35 years with over 30 productions on the Brisbane stages.

Biography

Theatre companies he has worked with including Ad Astra, Nash, St Lukes, Centenary, and Villanova players. Learning and plying his craft from the ground up. He has performed in a broad range of plays in both comedies and dramas and is always looking for the next challenge.

Ad Astra Plays

Upcoming Plays

Past Plays

Other Plays

St Luke's theatre

1984 - Wind of Heaven - Actor - Child

1987 - Salad days - Actor - Policeman

1989 - The shop at sly corner - Actor - Shop boy

1990 - The truth about Cinderella - Actor - Choir

1990 - Carnival of thieves - Actor - Policeman

1991 - What did we do wrong - Actor - Woody

1991 - You too can have a body - Actor - Policeman

1991 - Paris is out - Actor - Roger

1993 - My Giddy aunt - Actor - Jeremy

1998 - Dear Charles - Actor - Walter

2008 - Harvey - Actor - Lyman Sanderson

2008 - Me and thee - Actor - Paul Carter

2009 - Lord Aurther Savile’s crime - Actor - Lord Arthur

2009 - Over my dead body - Actor - Mark

2010 - Darling i’m home - Actor - Cleaner

2010 - A murder is anounced - Actor - Patrick

2011 - Pardon me prime minister - Actor - Rodney Campbell

2011 - The Hollow - Actor - Edward

2012 - My friend Miss Flint - Actor - Albert

2012 - Seasons greetings (Director)

2013 - Holiday for lovers - Actor - Henri Berchat

2015 - Cat's cradle - Actor - Sam Fletcher

2016 - A month of Sundays - Actor - Father

2018 - Private lives - Actor - Charles

2019 - Twelfth night (Director)

2022 - Much ado about nothing (Director)

2022 - The unexpected guest - Actor - Michael Starkwedder

Villanova Players

2016 - Rough crossing - Actor - Alexi Gal

2017 - Much Ado About Nothing - Actor - Dogberry

2020 - An ideal husband - (Director)

Nash Theatre

2018 - As you like it - Actor - Duke Frederick

2021 - Spiders web - Actor - Inspector Lord

Ad Astra Theatre

2018 - The complete works of William Shakespeare - Actor - Multiple roles

Representation

Freelance

Reviews

“Opening with a leadership coup in Australia that is oh so familiar, the villainous Duke Frederick played by Matthew Hobbs keeps the contemporary Australian theme alive by being a not-so-subtle wink to our own ex-PM Tony Abbott. Eating raw onions, ranting about dual-citizens, terrifying his entourage, and other perfectly timed jokes, Matthew Hobbs portrayal of Duke Frederick is both fantastically funny, and menacing at the same time.”.

Matthew Power - West End Magazine | Read full review

“Best of all however was Matthew Hobbs as a charismatic Sergeant Trotter, who arrives on skis. Suave and personable, he stole the play.”

Peter Pinne - Stage Whispers | Read full review

“Sergeant Trotter, played by Matthew Hobbs, was pleasingly gruff and, with a constant business-like demeanour, rounded out the ensemble cast nicely. Hobbs’ energy was steady and well-paced – he made sure the audience had as much information as they should have, gave them time to understand it, and then drove the central plots forward so that the play never felt as though it lagged. His performance in the final scenes was masterful, and easily was some of the best acting of the night.”

Shane Webb - Theatre Haus | Read full review

“Directed by Matthew Hobbs, ‘Twelfth Night’ embraced classic ideals of Shakespearean theatre. From the modern dress, through to a simple, but appropriate set design, Hobbs let the weight of the production sit on the actors and their use of the language. Overall a soundly directed piece, the production kept moving forward and cleverly allowed the actors to bring plenty of themselves onto the stage.”

Kiesten McCauley - Stage Whispers | Read full review

“Hobbs has done a fine job in encouraging comedic risk-taking in his cast. The blocking is well balanced and makes good use of the clever, versatile set designs”

Beth Keehn - Stage Whispers | Read full review

“As the rakish Elyot Chase, Matthew Hobbs thrives on the flippancy that the script insists is so essential to survive the boring conventions of the day. Hobbs adds a pinch of Pythonesque frustration to Chase’s usual roguish scoundrel.”

Beth Keehn - Stage Whispers | Read full review